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Talent, Persistence, Luck and Timing is a solid algorithm in any industry, but when it comes to sync licensing it can really help to get the attention of the right people. Knowing when to pitch is one key way of getting the attention of music supervisors. Below are a few tips to check out...


We've collated a bunch of sync licensing questions that have been sent our way over the past 12 months. Whether its sync fees, great sync resources, weird sync terms, obscure sync facts or just general sync stuff check out these Q and A's. Q. A Music Supervisor wants to license my song into a TV show and has offered me 2K for the use,? Is 2K good or should I ask for...


According to Jim Rohn, the Law of Averages says that if you do something often enough a ratio will begin to appear. If you pitch yourself to 10 people and 1 responds, a ratio will begin to appear; you are at 1:10. You'll notice that once it starts, it tends to continue. If you talk to 10 you'll get 1. Talk to 10 more, get 1 and so on. Pitching, selling, hustling...


Whether you're managing it, pitching it or making it, music has its fair share of challenges. In the midst of the ups and downs sync licensing has emerged as the most lucrative part of the business. The big question is how can you get your songs licensed into the multitude of productions being made these days?Perfect Preparation Prevents Piss Poor PerformanceLet's...


15 years ago I made a rookie mistake when I received one of my first briefs from a major studio. I essentially didn't answer the brief and sent songs that I thought were great and they should consider because they are well, um…. great and kind of fit what they were looking for.A few days later I looked at what I had sent and thought Oh Shit I'm never going to hear...